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We Are Rewind announces a limited edition cassette player celebrating Pink Floyd, featuring the iconic Dark Side of the Moon prism artwork on the device.
The bundle includes a specially mastered Dark Side of the Moon cassette, produced with Sony and exclusively available within this limited edition package.
Unlike standard models using plastic controls, this edition upgrades to metal buttons, adding a more premium tactile feel and collector appeal.
Beyond the artwork, the interest here is how We Are Rewind continues to hybridise old‑school cassette mechanics with modern expectations. The platform is already known for prioritising transport stability over outright vintage accuracy, favouring a contemporary motor and regulation scheme that keeps speed drift and mechanical noise lower than most surviving Walkman-era decks. For Pink Floyd material in particular, that matters: long ambient passages and sustained synth tones are far less forgiving of wow and flutter than chart pop, and a cleaner transport helps preserve image stability through headphones or a line-level output into a larger system.
The inclusion of a bespoke Dark Side of the Moon cassette, produced with Sony, also invites some technical curiosity. Sony’s involvement suggests tighter control over duplication tolerances and azimuth alignment than the average novelty release, which could translate into more consistent channel balance and reduced high‑frequency phase smear. While no details have been published about tape formulation or EQ choices, audiophiles will recognise that careful mastering can mitigate many of the format’s usual complaints, especially when paired with a modern playback head designed for today’s tolerances rather than 1980s mass production.
From a usability standpoint, the switch to metal controls is more than cosmetic. Heavier, more rigid buttons tend to transmit less flex into the chassis during operation, which can marginally reduce micro-vibrations reaching the head block. It’s a small gain, but one that aligns with the broader philosophy behind We Are Rewind’s players: treating cassette playback less as a toy and more as a legitimate, if characterful, listening format. In that sense, this edition feels less like band merchandise and more like a deliberate nod to listeners who still care about how analogue imperfections are managed, not just celebrated.
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