The setup is a curated showcase of the Sony ES series, known for its detailed sound reproduction, displayed with an evident appreciation for design and auditory experience. Each component, from the turntable to the amplifiers, is deliberately placed, creating an environment that’s both acoustically and visually harmonious. The ambient lighting from the neon sign adds a touch of warmth, enhancing the vintage charm of the space. The overall arrangement is inviting, with comfortable seating poised for immersive listening, all resting on patterned rugs that contribute to the room’s acoustic texture. This setup is not just about the specs; it's a stage that celebrates the art of listening, resonating with a narrative that’s as rich as the music it's designed to play.

by: stereo_sony_es

425718017_823064023194325_3280217859347692879_n.jpg

412235070_913362103458060_4058874646771997575_n.jpeg

423770452_810522640823472_8588103285952309738_n.jpg

417434367_344259928554184_7045423445797671317_n.jpeg

416131501_904718594192548_170743215203782131_n.jpeg

404628737_319668317591772_8875144195901966362_n.jpeg

The Audiophile's Vintage Modern Blend

The Sony TA-E 2000 ESD is a versatile preamplifier and processor that was manufactured from 1993 to 1998 in Japan. It features an array of advanced audio processing options, including DSP (Digital Signal Processing) for three distinct digital effects functions, and three separate 3-band digital parametric equalizers dedicated to front, center, and rear channels. The device includes a Digital Dynamic Compressor and Expander, along with 10 pre-programmed room simulations that can be customized through 10 memory slots. Volume adjustments can be controlled via an included remote. The integrated A/D and D/A converter supports high-quality audio conversion using a 1 Bit High Density Linear Converter System, and it offers a frequency response of 10 Hz to 20 kHz with minimal distortion (less than 0.004%). It supports Dolby ProLogic Surround and features a 5.1 output configuration. Connectivity options are extensive, including six A/V inputs, three A/V outputs, and various digital and analogue inputs/outputs, accommodating both modern and traditional audio equipment. The unit is designed in a sleek black finish, complementing its high-end audio capabilities.

TA-E 2000 ESD

The Sony CDP-C 79 ES is a CD player with a 5-disc capacity. It was released in the mid-1990s and is known for its high-quality sound output and durable build. It also features a variety of playback options and settings for customization.

CDP-C 79 ES

The Sony CDP-CA80ES is a 5-disc CD changer that offers a blend of solid build quality, good sound reproduction, and a variety of features catering to music enthusiasts. It features a heavy aluminum panel that lends a premium feel, despite being a multi-disc player. Users have praised its excellent sound clarity and impressive soundstage, allowing for detailed listening experiences where subtle musical elements are easily discernible. The unit includes features like programming, shuffling, and a disc naming capability, although the effectiveness of automatic disc titling has been noted to rely on limited CD compatibility. While it is positioned below audiophile standards, many users appreciate its performance relative to its price point; often considered a better value compared to other changers. It has RCA analog and optical digital outputs, but lacks a digital coaxial out, which some enthusiasts might find limiting. The player is compatible with various audio setups and integrates well with other Sony equipment. Overall, it's considered an excellent choice for those wanting an accessible multi-disc player without compromising on sound quality.

CDP-CA80ES

The Sony TA-F 808 ES is an integrated amplifier produced between 1993 and 1994, showcasing a robust design and high-quality audio performance. This model is crafted in Japan and features a sleek aesthetic available in black or champagne finishes. The amplifier includes a remote control (RM-S 703) for convenient operation. It has a power consumption rating of 390 W and dimensions of 470 x 175 x 435 mm, weighing in at 24.6 kg. At launch, it was priced at 2,500 DM for the black version and 2,600 DM for the champagne version. 

In terms of connectivity, the TA-F 808 ES provides a total of six line inputs, one direct input, and one phono input suitable for MM and MC cartridges (with 40 Ohm and 3 Ohm load options). It also includes an adaptor in/out which can serve as an additional high-level input. The amplifier supports multiple output options including one pre-out, one adaptor out, and connections for two pairs of loudspeakers (A+B). 

The technical specifications reveal continuous power output of 120 W per channel at 8 Ohms and 170 W at 4 Ohms (RMS 20Hz - 20kHz). When measured at 1 kHz, the DIN power output increases to 135 W and 200 W at 8 and 4 Ohms respectively. The amplifier exhibits low total harmonic distortion, rated at 0.004%, and a high signal-to-noise ratio of 105 dB for line inputs. Frequency response ranges from 2 Hz to 200 kHz, ensuring a wide bandwidth for audio reproduction. 

Additional features include tone controls for bass (+/- 7 dB) and treble (+/- 6 dB), as well as various filters for optimized sound output. The TA-F 808 ES employs high-quality construction elements such as a Gibraltar chassis and roof, along with gold-plated RCA jacks and brass speaker terminals, enhancing durability and audio quality. This amplifier series includes other models such as the TA-F 505 ES, TA-F 606 ES, and TA-F 707 ES, but the 808 ES stands out for its refined component placement and dual power supply.

TA-F 808 ES

The Sony TA-E 80 ES is a preamplifier manufactured between 1989 and 1996 in Japan. Designed in a sleek black or champagne finish, it offers both aesthetic appeal and high-quality performance. Weighing 12 kg, it features wooden side panels that contribute to its robust build. The unit has a power consumption of 20W and comes equipped with a remote control model RM-S 808 for convenience. It supports a variety of inputs including Phono MC with different impedances, Phono MM, Tuner, CD, Aux, and Tape, providing flexibility for system integration. The output connections include Tape Rec, Headphone, and both balanced and unbalanced outputs, ensuring compatibility with a range of devices. A notable technical specification includes a frequency response of 3Hz to 300kHz and a low distortion factor of 0.001%. The signal-to-noise ratio varies based on input type, with 105dB for line inputs. It offers tone control options for bass and treble adjustments at specific frequencies, enhancing the user’s listening experience. Additional features include loudness control, high and low filters, and a mute function.

TA-E 80 ES

The Sony TA-N 77 ES is a stereo power amplifier that was manufactured between 1987 and 1989 in Japan. It features a sleek black design and has remote control capabilities suitable for optimizing convenience in use. The amplifier consumes 510 watts of power and has dimensions of 470 mm in width, 185 mm in height, and 440 mm in depth, weighing 25 kg. It originally retailed for approximately 2,500 DM. The TA-N 77 ES supports multiple input types, specifically line-in fixed and line-in variable configurations, and can connect to two pairs of speakers. It offers impressive continuous power output, delivering 2x 200W at 8 Ohms, 2x 230W at 6 Ohms, and 2x 270W at 4 Ohms, with low total harmonic distortion ratings of 0.004% at a power level of 10W and 4 Ohms. The amplifier can also operate in BTL Mono mode, offering a substantial 1x 580W at 8 Ohms. Additional technical specifications include a frequency response of 1Hz to 200kHz (+0/-3dB) and a signal-to-noise ratio of 120dB. The TA-N 77 ES is equipped with two large VU meters for visual monitoring of output levels. It forms part of a series that includes other power amplifiers such as the Sony TA-N 55 ES and TA-N 80 ES, and pairs with preamplifiers like the Sony TA-E 77 ES and TA-E 77 ESD.

TA-N 77 ES

The Sony CDP-C77ES is a 5-disc carousel CD player with a digital filter and the company's unique Direct Bitstream Digital-to-Analog Conversion System. It was released in the early 1990s and is known for its high-quality audio performance.

CDP-C 77 ES

The Sony SEQ-333 ES is an equalizer produced during the late 1980s, likely between 1980 and 1989. It features a two-channel configuration with stereo L/R RCA inputs and outputs, making it a versatile choice for audio system integration. The device has both analog and digital audio features and offers an output power of 10 W. Its design is marked by a sleek black finish. The equalizer is aimed at achieving optimal audio tuning, allowing users to adjust frequency levels to their preference. This model’s quality and build indicate a focus on delivering satisfactory audio performance, catering to various listening environments and setups.

SEQ-333 ES

The Sony SEQ-711 is a graphic equalizer that was manufactured between 1992 and 1994 in Japan. It features a sleek black design and is equipped with a variety of capabilities aimed at enhancing audio quality. The unit has a power consumption of 13 watts and measures 430 mm in width, 110 mm in height, and 265 mm in depth, weighing approximately 3.2 kg. The SEQ-711 offers two inputs and one output, making it suitable for connections through tape, VCR, or MD loops. It is designed with a 7-band equalizer, providing a boost/cut range of ±10 dB, with center frequencies at 63 Hz, 160 Hz, 400 Hz, 1 kHz, 2.5 kHz, 6.3 kHz, and 16 kHz. The frequency response for line input ranges from 20 Hz to 50 kHz, with a distortion level lower than 0.01% and a signal-to-noise ratio greater than 100 dB. The graphic display includes a spectrum analyzer and features ten preset equalization curves for varying acoustic environments and listening preferences. Users can also define custom user equalization curves, which can be easily selected through dedicated keys. Special features include dynamic equalization control, a DSC (Dynamic Sound Control) function that adjusts equalization according to sound level, and option for tape/line input selections. The equalization presets support a range of acoustic simulations, from jazz clubs to modern cinemas and discotheques, enabling diverse sound experiences.

SEQ-711

The Sony PS-X 65 is a vintage turntable produced by Sony in the late 1970s to early 1980s. It features a linear tracking tonearm and a direct drive system. The turntable is known for its unique design and solid build quality.

PS-X 65

The Sony PS-6750 is a direct drive turntable that was manufactured in the 1980s. It is known for its high-quality construction and excellent sound reproduction.

PS-6750

The setup here is thoughtfully curated to provide an immersive sonic experience, where each component is chosen for its ability to deliver exceptional sound fidelity. The heart of the system is the Lumin U2 Mini, a network music player that boasts a premium DAC for impeccably clear digital-to-analog conversion. This feeds into the Rockna Wavelight DAC, a high-resolution audio processor celebrated for its precision and the remarkable depth it brings to digital files, ensuring that every note is rendered with pristine clarity.

Powering the speakers is the Electrocompaniet AW250R, an amplifier renowned for its robust performance and ability to maintain a harmonious balance of power and finesse. It drives the ATC SCM40 V2 speakers, which stand confidently as the final piece in the audio chain. These speakers are distinguished by their detailed soundstage and neutral sound profile, promising an uncolored and pure audio experience. Together, these components are not just pieces of technology, but instruments that work in concert to create a soundscape where music is not just heard but felt, inviting an exploration into the depths of each track played.

by: sounds_like_heaven

Screenshot 2024-10-24 at 17.13.46.png

The Intersection of Sound and Space

Lumin u2 mini

ATC scm 40 v2

Rockna wavelight

Electrocompaniet aw 250 r

In a space where vinyl's warmth and CDs' clarity converge, this audio setup is a curated selection reflecting a true appreciation for both analog roots and digital advancements. The Luxman L-1500 amplifier delivers a robust foundation, pairing seamlessly with the crisp outputs from the Marantz CD player. It’s a blend that resonates with any audiophile who treasures the depth of history and the sharpness of modern technology.

Here, the Akai GXC-709D cassette deck and 4000 reel-to-reel keep the analog spirit alive, spinning a tangible nostalgia that's hard to find in today’s digital streams. The combination of B&W DM 4 speakers and REL Quake subwoofer produces a full-bodied sound experience, making every note felt as much as heard. Rounding out the setup, JVC’s RX-950V receiver, XL-Z411 CD player, and TD-R452 tape deck ensure a seamless audio journey, echoing the meticulousness of a well-crafted mixtape. It’s a setup that doesn’t just play music; it revives the very essence of eras gone by, marrying them with the distinct quality of today’s sound.

by: Marcel Schmeitz

large_429697664_1095414241797036_6299851788318830803_n.jpeg

medium_429697664_1095414241797036_6299851788318830803_n.jpeg

small_429697664_1095414241797036_6299851788318830803_n.jpeg

thumbnail_429697664_1095414241797036_6299851788318830803_n.jpeg

429697664_1095414241797036_6299851788318830803_n.jpeg

large_429829224_930316215763290_5915762316512833411_n.jpeg

medium_429829224_930316215763290_5915762316512833411_n.jpeg

small_429829224_930316215763290_5915762316512833411_n.jpeg

thumbnail_429829224_930316215763290_5915762316512833411_n.jpeg

429829224_930316215763290_5915762316512833411_n.jpeg

Analog Heart, Digital Pulse

B&W DM 4

REL QUAKE

Marantz CD

Luxman is a renowned hi-fi brand that specializes in manufacturing high-end audio equipment. Founded in 1925 in Japan, Luxman has become well-known for its quality amplifiers, preamplifiers, CD players, turntables, and other audio products. Luxman aims to deliver the ultimate sound experience to audiophiles by combining meticulous craftsmanship with advanced technology.

Luxman

The Luxman R-1500 is a vintage stereo receiver that was manufactured in the 1970s. It was part of Luxman's R-line of products and featured a wood cabinet design with silver faceplate. The R-1500 is known for its warm sound and high-quality build construction.

R-1500

Akai is a Japanese consumer electronics brand known for producing audio and video equipment. They specialize in manufacturing home audio systems, headphones, speakers, and professional audio equipment.

Akai

The Akai GXC-709 D is a model from the Akai brand, primarily known for its tape decks. It features a dual-capstan transport mechanism that ensures stable tape movement, which is essential for playback quality. This model has a sleek design typical of late 20th century audio equipment, with analog meters for monitoring levels. It often includes features such as auto-reverse, allowing for uninterrupted listening by seamlessly switching the direction of playback. Additionally, the device typically supports various tape types, enhancing its versatility. It is powered by an AC source and is known for its robust build quality. The GXC-709 D is usually equipped with various inputs and outputs, accommodating connections to other audio equipment.

GXC-709 D

Akai 4000 is a reel-to-reel tape recorder manufactured by Akai Corporation. It was introduced in the late 1970s and was part of Akai's popular 4000 series of reel-to-reel recorders. The Akai 4000 featured a compact design and was known for its decent sound quality and ease of use. It had two speeds for recording and playback, and could accommodate 7-inch reels. The 4000 series from Akai were widely used by audio enthusiasts and professionals for various recording purposes.

4000

JVC is a brand that specializes in HiFi audio and video equipment.

The JVC RX-950 V is an audio receiver that was manufactured between 1987 and 1988 in Japan. This device features a sleek black finish and provides a variety of connections for different audio sources, including Phono MM and MC inputs, multiple tape inputs, AUX, and CD connections. The receiver has a total of 240 watts of continuous power, delivering 120 W RMS per channel at an 8-ohm impedance. It offers low total harmonic distortion of 0.03% at rated power. The RX-950 also features a configurable equalizer with 7 center frequencies and allows users to adjust tone with a ±10 dB range. Additionally, it supports a range of FM/MW frequencies and boasts a signal-to-noise ratio of 84 dB for FM mono. The unit includes a programmable remote control (JVC RM-SR-950) and features such as loudness, high and low filters, and muting. Its dimensions are 435 x 128.5 x 381 mm and it weighs 10.4 kg. The original price of the RX-950 was approximately 1,650 DM.

RX-950

The JVC XL-Z 411 is a CD player produced by JVC from 1989 to 1990. It features a black chassis and was originally priced around 599 DM. Alongside its aesthetic appeal, it includes a coaxial digital output, making it a useful component for integrating with other audio systems. The player is equipped with a MN6471M bitstream DAC chip, known for its early bitstream sound characteristics, which can provide clarity but may also produce a harsher sound in some listening experiences. Its design includes a high-quality CD transport system, offering reliability and performance in playback. The XL-Z 411 is part of a series that includes various integrated amplifiers and other audio components, indicating its place in a broader audio ecosystem that JVC offered during this period.

XL-Z 411

TD-R 452

Jamo is a brand that specializes in designing and manufacturing high-quality audio products such as speakers and surround sound systems.

Jamo

The Jamo 502 is a compact 2-way bass reflex loudspeaker that was manufactured in Denmark between 1980 and 1982. It features a design with dual woods—walnut, rosewood, and a stained black option. The speaker's dimensions are 480 mm in height, 250 mm in width, and 240 mm in depth, with a weight of 7.5 kg. It has an original price of approximately 250 DM. The technical specifications include a woofer size of 238 mm and a 25 mm dome tweeter. The power handling capability is rated at a nominal 50 W and a maximum of 80 W, with a sensitivity of 92.4 dB at 1W/1m. The frequency response ranges from 34 Hz to 20,000 Hz, with a crossover frequency of 1,800 Hz, and it has an impedance of 8 Ohms. Notable features include overload protection for the tweeter and a matching base model F23. Other models in the same series include the Jamo 702 and various CBR models.

Analog Heart, Digital Pulse

Components:

Discussion

Other setups

The Audiophile's Vintage Modern Blend

The Intersection of Sound and Space