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Audio Research D-80 is a fully balanced, two-channel tube power amplifier from the Reference series, delivering 70 W per channel in pentode operation.
The signal path remains fully balanced from XLR-only inputs to speaker terminals, minimizing noise and targeting modern high-end balanced preamplifiers.
Each channel uses matched KT150 output tubes with 6H30 drivers, covering 7 Hz–68 kHz at −3 dB and handling complex speaker loads confidently.
From an engineering standpoint, the D-80 reads like a deliberate exercise in restraint. Audio Research doubles down on a fully differential topology and pentode-only output stage, avoiding switchable modes or hybrid tricks that often complicate grounding and long-term stability. Pentode operation here is less about headline wattage and more about maintaining linearity under stress; with moderate global feedback applied, the circuit targets a balance between harmonic structure and control rather than chasing ultra-low distortion numbers at all costs. The specified distortion behavior—dropping to vanishingly low levels at small signal swings—suggests a design optimized for real listening levels, not bench theatrics.
Several sources point out the family resemblance to the Reference 80S, particularly in the power supply architecture and output stage philosophy. That lineage matters: the oversized transformer reserves and conservative damping factor hint at an amplifier that prioritizes current delivery and load tolerance over iron-fisted grip. In audiophile terms, this usually translates into bass that is shaped rather than clamped, and a midband that stays composed when impedance curves start doing strange things. The KT150s are well suited to this approach, offering high plate dissipation margins that let the amplifier stay within a comfortable operating envelope even when the speaker crossover gets unruly.
Equally telling is what the D-80 leaves out. XLR-only connectivity and a very high balanced input impedance make it clear that this amplifier expects a modern, low-noise preamplifier upstream, not adapters or legacy single-ended sources. Combined with a relatively modest feedback loop and carefully chosen gain structure, the design seems aimed at preserving signal integrity through simplicity rather than feature density. In that sense, the D-80 positions itself as a purist’s power amplifier—less about flexibility, more about predictable behavior and tonal consistency across a wide range of real-world systems.
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