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Audio‑Technica unveils limited‑edition ATH‑WP900SE headphones featuring solid ash wood earcups, finely tuned specifically for string instruments, especially guitars.
Preorders open in Japan at ¥110,000 (~$750), with official release scheduled for February 20, 2026, emphasizing exclusivity and premium positioning.
Equipped with 53 mm dynamic drivers in ported earcups, delivering warm, precise guitar sound across a wide 5–50 kHz frequency range.
What makes the ATH‑WP900SE interesting beyond its visual drama is how Audio‑Technica leans into instrument‑centric voicing rather than chasing a generic “reference” curve. The use of dense hardwood cups with controlled internal venting suggests an attempt to shape decay and harmonic bloom mechanically, not just through damping materials. Ash, compared to softer woods used in past WP-series models, tends to emphasize transient snap and upper‑mid articulation, which aligns with the stated focus on plucked strings. The ported enclosure also hints at a deliberate compromise: allowing a bit of pressure relief to avoid the closed‑back claustrophobia that can smear attack on complex chord work, while still preserving isolation and body.
From a technical standpoint, the electrical parameters place the WP900SE in an interesting middle ground. The load is friendly enough for high‑quality portable players, yet clearly designed to scale with dedicated amplification, particularly when using the balanced connection. This dual‑use philosophy mirrors Audio‑Technica’s recent strategy of building headphones that don’t collapse dynamically when moved from a DAP to a desktop amp. The driver architecture, with its emphasis on airflow management around the voice coil, suggests an effort to keep distortion in check at higher SPLs—important for listeners who gravitate toward dynamic, live‑recorded material rather than compressed studio mixes.
There is also a subtle cultural crossover at play. By collaborating with a guitar manufacturer’s finishing tradition, Audio‑Technica frames the WP900SE less as a lifestyle object and more as a piece of luthiery translated into headphone form. Some will see this as aesthetic storytelling; others will read it as a cue to expect a timbral bias toward realism rather than forensic neutrality. Either way, the WP900SE positions itself as a niche tool for listeners who value tone, texture, and decay over ruler‑flat measurements—a philosophy that feels increasingly rare in a market dominated by target curves and DSP.
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