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Hi-Unit will launch the RYUCHU2 (龍柱2) balanced earphone cable in late March, featuring 4.4mm plug and 2-pin connectors, priced around ¥12,100.
As the successor to the original crowdfunding-exclusive RYUCHU, RYUCHU2 prioritizes accurate signal transmission, preserving sound balance, clarity, and the earphones’ inherent performance.
The cable uses ultra-high-purity copper conductors equivalent to 7N grade, with a thick 18AWG-class cross-sectional design optimized for 4.4mm balanced connections.
RYUCHU2 positions itself less as a “sound-tuning accessory” and more as a signal-management tool, reflecting a design philosophy that prioritizes electrical stability over tonal embellishment. Hi-Unit’s stated goal of minimizing signal stagnation aligns with a school of thought often discussed among cable engineers: reducing micro-variations in impedance and current delivery can subtly affect how transients are framed and how consistently an earphone’s driver is damped. Rather than chasing perceived brightness or weight, the approach here suggests an emphasis on maintaining phase coherence and preserving the earphone’s native frequency relationships, which is especially relevant for modern multi-driver designs that are already tightly voiced.
From a technical standpoint, the conductor architecture points toward an attempt to approximate the behavior of a single, mechanically impractical solid core while avoiding its rigidity and handling issues. By distributing current across carefully arranged strands, the design seeks to keep resistance uniform across the audible band, which in balanced drive can translate into more predictable channel behavior under dynamic load. This is where Hi-Unit’s perspective subtly diverges from brands that frame balanced cables primarily as upgrades in separation or “blackness”; the narrative here is closer to reducing variables that could interfere with the amplifier–earphone relationship, rather than enhancing any one sonic trait.
An interesting contrast emerges in the collaborator’s commentary, which frames the project as an experiment in restraint. The concern was not whether balanced drive could add information, but whether it could do so without destabilizing an already coherent unbalanced tuning. That tension—between extracting headroom and preserving character—underscores why RYUCHU2 avoids aggressive voicing. In that sense, it reflects a more conservative, engineering-led interpretation of what a “meaningful” balanced connection should be, one that values consistency and predictability over immediate, attention-grabbing changes.
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