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Hisense launches the compact C3 mini projector in Germany for €1,699, positioned below C2 Pro and C2 Ultra in brightness and placement flexibility.
C3 delivers 2,500 ANSI lumens brightness, surpassing the C2’s 2,000 but trailing C2 Pro (2,600) and C2 Ultra (3,000) models.
Supports comprehensive HDR formats including HDR10, HDR10+, HLG, and Dolby Vision, though projector HDR lacks local dimming compared to premium TVs.
Seen through an enthusiast lens, the C3 is less about brute-force output and more about how Hisense tunes a compact DLP platform for cinematic credibility. The triple‑laser engine is the real story here: its narrow spectral peaks promise cleaner primaries and more stable color over time than lamp or single‑laser phosphor designs, even if real‑world saturation inevitably collapses once ambient light creeps in. Motion handling should feel characteristically “DLP-snappy,” which pairs well with IMAX Enhanced content where frame cadence and perceived sharpness matter more than absolute black depth. The trade‑off remains familiar—tone mapping has to juggle highlight detail against midtone brightness without the safety net of per‑pixel dimming, so Dolby Vision here is more about metadata discipline than TV‑like punch.
Compared with its brighter siblings, the C3 leans into usability rather than raw placement freedom. The integrated gimbal and aggressive automation suite suggest Hisense expects this projector to live a nomadic life: coffee table today, ceiling projection tomorrow. From a purist perspective, digital keystone and obstacle avoidance always nibble at pixel integrity, but for a living‑room projector that’s the price of convenience. The wall‑color compensation is another pragmatic feature—useful for casual viewing, though any calibration‑minded user will know it’s a corrective filter, not a substitute for a neutral screen.
Audio and connectivity underline the “all‑in‑one” ambition. The JBL‑tuned system with virtual surround processing won’t fool a separates stack, yet it should anchor dialogue convincingly and throw a wider stage than most compact projectors. HDMI 2.1 support reads better on paper than in practice given the fixed refresh ceiling, positioning the C3 as gaming‑capable but not esports‑leaning. Taken as a whole, the C3 feels like Hisense deliberately sanding off the sharp edges of projector ownership—less a spec monster, more a domesticated cinema tool for enthusiasts who value immediacy over endless tweaking.
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