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MOONDROP SKYLAND is an open-back planar magnetic headphone launching February 19, priced at ¥130,000, featuring an exceptionally large 100mm planar driver.
Its proprietary Full Drive Tech (FDT) achieves 95.5% effective drive area, dramatically surpassing conventional planar designs and rivaling electrostatic headphone uniformity.
An ultra-thin ~500nm diaphragm and multilayer pure-silver etched circuit improve Lorentz force uniformity, reducing modal breakup and delivering smoother, more detailed treble.
What makes SKYLAND interesting from a design perspective is how MOONDROP is clearly trying to close the long‑discussed gap between planar magnetics and electrostatics without inheriting the latter’s fragility or system complexity. By pushing uniform force distribution across almost the entire diaphragm, the engineering emphasis shifts away from brute magnetic strength toward control of vibration behavior. In practical terms, this approach targets the familiar planar compromises—edge decoupling, phase smear in upper harmonics, and that slightly “granular” sheen some listeners associate with etched treble. The move to a multilayer silver trace instead of more conventional aluminum also suggests MOONDROP is prioritizing current density consistency over weight savings alone, a choice more often seen in cost‑no‑object transducers than in mainstream planar designs.
The mechanical side tells a similar story. Integrating the magnetic circuit directly into a rigid, CNC‑machined aluminum structure is less about visual drama and more about managing stored energy. Planar drivers of this scale can easily excite micro‑resonances in their own frames, which then feed back into the diaphragm as time‑domain blur. By treating the housing as part of the motor system rather than a passive shell, SKYLAND leans toward the philosophy seen in high‑end loudspeaker baffles—control the structure, and the driver behaves. The fully open execution, combined with careful edge geometry and diffraction management, suggests MOONDROP is chasing spatial coherence and decay realism rather than sheer width, a tuning direction that aligns more with reference electrostatics than with the cinematic staging often associated with large planars.
From a system‑matching standpoint, the emphasis on diaphragm stress balancing hints that SKYLAND is designed to scale meaningfully with upstream electronics rather than masking amplifier behavior. That places it squarely in the category of headphones that reward current stability and voltage headroom, not just raw power ratings. In that sense, SKYLAND reads less like a statement piece built to impress on first listen and more like an attempt to redefine what “well‑behaved” planar magnetics can sound like when mechanical, magnetic, and electrical variables are treated as a single equation rather than isolated talking points.
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