Production Cost of 130-Inch TV Panels Is 50% Higher Than 115-Inch Models, Pushing Prices Toward $45,000

There’s also a less obvious systems angle. Ultra‑large LCDs don’t scale linearly in power delivery, thermal management, or signal processing. Driving millions of pixels with consistent gamma and near‑black stability requires a far beefier video pipeline and more aggressive local dimming algorithms, which in turn demand higher backlight zone counts and tighter synchronization. For audiophiles used to separating display and sound, the integrated audio approach is noteworthy: stuffing multiple low‑frequency drivers into the chassis isn’t about room‑shaking bass, but about maintaining tonal balance when the screen itself becomes an acoustic obstacle. The cabinet has to stay inert, or at least predictable, otherwise resonance and panel vibration start to smear dialogue and collapse soundstage coherence.

Different analysts frame these monsters differently. Market researchers tend to see them as halo products—loss leaders in everything but prestige—while engineers view them as necessary stress tests for next‑gen LCD processes. History suggests both are right: today’s extravagance often becomes tomorrow’s trickle‑down tech. But early iterations at this scale are less about living‑room practicality and more about proving that conventional LCD, when pushed hard enough, can still play in a territory many assumed was reserved for modular LED walls.