In honor of the Multiverse III music festival held in Sheffield, UK, Campfire Audio has unveiled their latest limited edition in-ear headphones, the **Axion Multiverse III**. This model marks a significant milestone as it features the brand's first-ever full-size dynamic silicon driver, pushing the boundaries of compact audio technology.

The Axion Multiverse III boasts a custom-designed full-range silicon dynamic driver, promising exceptional sound quality across the entire frequency spectrum. Encased in a lacquered resin housing with a gold PVD-coated sound tube, the design is both striking and functional. The ergonomic shape allows for versatile wearing styles—either over the ear or with the cable hanging straight down—catering to personal comfort preferences.

On the technical front, these in-ear monitors cover a frequency range from an impressive **5 Hz to 20 kHz**. With a sensitivity of **94 dB** (1 kHz, 135.8 mV RMS) and an impedance of **16.7 Ohms**, they are designed to be easily driven by a wide range of devices. The harmonic distortion is kept below **0.5%**, ensuring a clean and accurate sound reproduction.

Included with the Axion Multiverse III is a new cable featuring a built-in high-resolution DAC based on the **Conexant CX31993** chip. This DAC supports up to **32-bit/384 kHz** and **DSD64/128**, ensuring high-quality digital-to-analog conversion. The cable connects via proprietary MMCX connectors and terminates with a **USB Type-C** connector, making it compatible with modern devices without the need for additional adapters.

Priced at **$199**, the Axion Multiverse III offers a glimpse into the future of in-ear headphone technology, blending innovative driver design with practical features. It's a fascinating development that showcases Campfire Audio's commitment to pushing the limits of audio engineering.

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Campfire Audio Unveils Axion Multiverse III In-Ear Headphones at Multiverse III Festival


The term "remastered" often captures the attention and imagination of audiophiles and casual listeners alike. The promise of a cleaner, richer, and more detailed sound experience is compelling. However, remastering is a complex process that can either enhance or deteriorate the quality of an audio track. It's essential to understand what remastering entails and how to sift through the good, the bad, and the ugly of remastered versions.

### The Good, The Bad, and The Ugly of Remasters

#### The Process of Remastering

Remastering involves taking original audio tapes and transferring them to a digital format. The process can correct errors, improve sound quality, and sometimes even add new elements. However, these improvements are not guaranteed; the end result is contingent on the skill and intent of the engineers.

#### The Loudness War

One of the most contentious issues surrounding remasters is the so-called "loudness war." This refers to the tendency of producers to compress the dynamic range of a track to make it as loud as possible, sacrificing audio quality for volume. This can be especially jarring for audiophiles who have high-end equipment capable of capturing a wide dynamic range.

#### The "Sacriligious" Alterations

Beyond the loudness war, some remasters take the liberty of altering the original tracks in ways that many consider disrespectful to the original work. The use of auto-tune on classic vocal performances or changing the instrumentation are examples of these kinds of alterations.

### Vintage Pressings and Audiophile Labels

#### The Allure of Original Pressings

For those cautious of the possible pitfalls in remastered versions, vintage pressings—especially from periods like the early '80s—are highly prized. These pressings were often made with a greater dynamic range and are generally considered to offer a more authentic listening experience.

#### Specialty Audiophile Labels

Companies like MoFi (Mobile Fidelity Sound Lab) specialize in high-quality remastering that respects the original audio. They often use the original master tapes and employ meticulous care in the remastering process, making them a preferred choice for audiophiles.

### The Role of Equipment

The equipment used for playback can significantly affect how a remastered track sounds. Higher-end equipment can make a poor remaster sound decent, or a good remaster sound extraordinary. For example, using a quality DAC and network streamer like the Eversolo DMP-A6 can dramatically improve your listening experience.

### Conclusion

In the intricate world of audio remastering, not all remasters are created equal. For audiophiles and discerning listeners, the key is to sift through the multitude of options to find those that respect and enhance the essence of the original recording. Whether you find solace in vintage pressings or place your trust in reputable audiophile labels, understanding the nuances of remastering can help you make informed choices that elevate your auditory experience.

Photo montage showcasing a vintage vinyl record on the left and a digital audio workstation on the right.

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The Complex World of Audio Remastering

Delve into the intricacies of audio remastering. Learn what makes a remaster truly great, how to navigate the pitfalls of poor remasters, and discover the role of equipment in shaping your auditory experience.


As the world of high-fidelity audio continues to evolve, the classifications that designate gear as "mid-tier," "upper-tier," or "elite" are also constantly changing. Not too long ago, products from brands like McIntosh were the undisputed kings of audiophile equipment. However, as technological advancements usher in newer models with cutting-edge features, even iconic brands find themselves in shifting categories.

### What is "Mid-Tier" Anyway?

#### The Subjective Nature of Classifications

The term "mid-tier" is a shifting sand in the audiophile landscape. A McIntosh MA6200 integrated amplifier from the early '80s, for example, might still provide excellent sound quality but could be considered mid-tier today when compared to the brand's latest models or even other new players in the market.

#### The Role of Technology

Technological advancements have significantly influenced what counts as "mid-tier." Just a few years ago, network streamers like the Eversolo DMP-A6 would have been considered luxurious, high-end equipment. But today, with its $850 price tag, it falls squarely into the mid-tier category for many, despite offering a DAC, network streaming, and local playback all in one.

### The Elite Tier

#### The Unattainable Pinnacle

In contrast to the ambiguity of mid-tier designations, the elite tier is often seen as the zenith of what high-fidelity audio technology can offer. These are not merely upgrades to existing systems but are entirely different beasts that offer unparalleled sound experiences.

#### The Cost Factor

While the quality of elite tier products is unquestionable, the cost can often be prohibitively high for most consumers. Brands that operate in this space offer products that can be several times the cost of mid-tier equivalents, establishing them as luxury items meant for a particular class of audiophiles.

### Emerging Options: DIY and Budget Alternatives

#### The DIY Approach

For those looking to bypass the traditional tiers altogether, there's an increasing trend toward DIY solutions. Raspberry Pi-based audio systems, often coupled with software like Volumio, have become popular for their modularity and significantly lower costs, usually around $250.

#### Budget-Friendly Choices

Products like the SMSL SD-9 offer a balance between cost and functionality. For around $450, users get a device that, while lacking some features like large-capacity storage, still delivers on the core aspects of high-fidelity audio.

### Conclusion

The terms "mid-tier" and "elite" are moving targets in the world of high-fidelity audio. As new technologies emerge and existing ones become more affordable, these classifications will continue to evolve. Yet, what remains constant is the audiophile's unending pursuit of perfect sound—regardless of how we categorize the gear that delivers it.

transition in high-fidelity audio. The image features two amplifiers

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The Evolution of Audiophile Gear: From "Mid-Tier" to Elite

Navigate the ever-changing landscape of audiophile equipment. This article examines what defines 'mid-tier' and 'elite' audio gear, offering a comprehensive guide to make sense of the various tiers in high-fidelity audio.


In an era where our music choices are merely a few clicks away, the digital vs physical media debate takes center stage among audiophiles. As traditional physical formats like CDs and vinyl contend with digital music libraries and streaming services, each format vies for its claim to sonic supremacy. This in-depth article evaluates the pros and cons of each approach, from the ritualistic joys of physical media to the unmatched convenience of digital libraries.

### Physical Media: The Resurgence and the Nostalgia

#### Quality and Rituals

For many, physical formats like CDs and vinyl aren't merely a medium for listening to music; they're an experience. A CD or vinyl record is tactile, ritualistic, and provides a form of interaction that digital media cannot replicate. Brands like Harman/Kardon offer high-end CD transports that, when paired with a top-tier DAC, can reveal layers of audio depth that may escape even high-bitrate digital formats.

#### Reliability and Ownership

A significant advantage of physical media is its long-lasting nature. Properly cared for CDs and vinyl can last decades without losing their original quality. Additionally, owning a physical copy provides a sense of ownership and permanence that digital platforms can't always guarantee, given the terms and conditions that may lead to the removal of particular albums or tracks.

### Digital Media: The Age of Convenience

#### Instant Access and Versatility

Digital formats have fundamentally transformed the way we consume music. Platforms like Spotify and Apple Music have democratized access to extensive music libraries that can be streamed on-demand. Software like PlexAmp takes this a step further with features such as "Sonic Adventure" and AI-driven playlist tools, offering a tailored listening experience.

#### Storage and Organization

Digital media can be stored in various forms of Network Attached Storage (NAS) systems or specialized audio equipment like Eversolo DMP-A6 or Bluesound Node. These devices, equipped with large-capacity drives, can host ripped FLAC libraries or even high-resolution SACD rips, offering a level of quality and convenience that is hard to beat.

### Cost vs Quality: A Balancing Act

#### The Financial Angle

Streaming services can appear cheaper initially, but they require ongoing subscriptions. Meanwhile, establishing a high-quality digital library or accumulating a vast physical collection also comes with costs. Devices like the SMSL SD-9 offer a mid-range digital option at around $450, but keep in mind that storage can get expensive. On the flip side, physical media also have their costs, especially when factoring in high-end playback equipment.

#### Audio Quality Debates

Services like Tidal and Qobuz offer high-fidelity, near-lossless audio streaming, but these usually come at a premium price. The ongoing debate remains whether the human ear can truly discern these nuances in audio quality, particularly when listening through high-end equipment like McIntosh systems.

### Conclusion

The physical vs digital debate among audiophiles is likely to continue as technology evolves and listening habits change. Whether you're an enthusiast who enjoys the tactile experience of handling a vinyl record or someone who values the convenience of accessing thousands of tracks within seconds, each medium offers its unique set of advantages and compromises. The best choice, as it often turns ou

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The Debate Over Physical vs Digital Media for Audiophiles

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Campfire Audio Unveils Axion Multiverse III In-Ear Headphones at Multiverse III Festival

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