
Meze Audio has announced the launch of the Empyrean II, building upon the legacy of its acclaimed predecessor. Priced at $2,999, the Empyrean II is a remarkable combination of sound innovation, artistry, and craftsmanship, offering an exceptional auditory experience.

**Design and Aesthetics:** The Empyrean II is crafted with precision, featuring a CNC milled frame adorned with a sleek matte black finish and silver accents. The design is inspired by art deco patterns, reflecting a commitment to both visual elegance and acoustic performance.

**Acoustic Engineering Excellence:** Alex Grigoras, the acoustic engineer behind the Empyrean II, focused on harmonizing community feedback with advanced engineering. The result is a pair of headphones that balance a neutral sound signature with an "easy to listen to" character, perfect for audiophiles seeking both clarity and comfort.

**Advanced Sound Technology:** The Empyrean II harnesses the power of Rinaro’s Isodynamic Hybrid Array Driver. This unique driver design, with its combination of switchback and spiral voice coils, ensures precise sound targeting, complementing the natural shape of the ear. The headphones offer ultra-high-resolution audio with a frequency range extending up to 110,000 Hz, capturing the finest details in music.

**Customizable Comfort:** Emphasizing ergonomic design, the Empyrean II comes with two sets of earpads – Duo and Angled – made from premium leather and Alcantara. This feature allows listeners to tailor their auditory experience according to their preferences, ensuring both comfort and quality.

**Durability and Serviceability:** True to Meze Audio's ethos of sustainable and lasting design, every component of the Empyrean II is fully serviceable, highlighting the brand's commitment to longevity and environmental consciousness.

The Empyrean II represents a milestone in headphone design and technology, setting a new benchmark in the high-fidelity audio market. It's an embodiment of meticulous craftsmanship and innovative sound engineering, aimed at delivering an unparalleled listening experience.

For a deeper dive into this sonic masterpiece, visit [Meze Audio's Empyrean II page](https://mezeaudio.com/products/empyrean2).

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Meze Audio Reveals Empyrean II: Elevating High-Fidelity Sound to New Heights

Meze Audio stands as a distinct brand in the world of high-fidelity audio, renowned for its commitment to quality, innovation, and design excellence. The brand distinguishes itself through a dedication to creating audio products that deliver not just superior sound quality, but also a high level of craftsmanship and aesthetic appeal. Meze Audio's product range, which includes headphones and earphones, is marked by a harmonious blend of technical performance and a visually appealing design ethos, catering to audiophiles who value both auditory and tactile experiences.

Meze Audio

Elevate your listening with Meze Audio's Empyrean II: A symphony of high-resolution sound and meticulous design


So, you've stumbled upon a Super Audio CD (SACD) at your local library's sale. It features an iconic album that you can't wait to spin on your trusty old CD player. Before you part with your hard-earned dollar, however, you may wonder: "Is this SACD compatible with my CD player?"

In a world awash in digital streaming, SACDs may seem like relics. However, they offer exceptional audio quality that continues to draw aficionados of high-fidelity sound. To determine whether an SACD will play on your CD player, it's crucial to understand the intricate world of SACD compatibility.

## What is SACD?

Super Audio CD (SACD) is a high-resolution audio disc format developed by Sony and Philips, the same companies that created the standard CD. SACD offers superior sound quality thanks to its use of Direct Stream Digital (DSD) technology. However, this enhanced quality necessitates specialized hardware, leaving many to wonder if SACDs can be played on traditional CD players.

## Hybrid vs. Non-Hybrid SACDs

**Hybrid SACDs**

Most SACDs produced today are "hybrid" discs, meaning they contain two separate layers:

1.  The SACD layer, which can only be read by an SACD player
2.  A standard CD layer, which can be read by any CD player

This dual-layer approach allows for backward compatibility with standard CD players. When inserted into a regular CD player, the player will default to reading the CD layer, while an SACD player will choose the high-definition SACD layer.

**Identifying a Hybrid SACD**

To determine if an SACD is hybrid, you can often look at the disc's packaging. Hybrid SACDs frequently have both the SACD and CD logos displayed prominently. Additionally, the term 'Hybrid' or 'SACD Hybrid' is often mentioned on the packaging, especially on the spine card.

**Non-Hybrid SACDs**

These are SACDs that contain only the DSD layer and cannot be played on a regular CD player. Non-hybrid SACDs often only display the SACD logo and may specifically state that an SACD player is required.

## Manufacturing Date Matters

Early SACDs, particularly those released around or before the year 2000, are less likely to be hybrid discs. If the SACD in question was made in 2002, there's a higher likelihood it's a hybrid, but it's not guaranteed.

## Other Options for Playback

If you're set on experiencing the exceptional audio quality of SACDs but don't own an SACD player, you're not entirely out of luck. Many Blu-ray players can also play SACDs, as can some specialized high-end audio equipment.

## Conclusion

SACDs offer a high-resolution audio experience that is a step above standard CDs. However, compatibility issues can arise if you don't have the right equipment. Always check for indicators like dual-layering and manufacturing dates to ensure that your SACD can be played on your existing CD player. If not, it might be time to consider diving into the world of high-end audio equipment—a move that could redefine your listening experience.

So, is that SACD from the library sale worth buying? If it’s a hybrid and you can play it on your existing equipment, absolutely. Even if it turns out to be non-hybrid, at a dollar, it might be the perfect excuse to upgrade to an SACD-compatible player. After all, high-fidelity audio is a world worth exploring.

Design of a combined logo where the SACD logo seamlessly transitions to the CD logo with a bold question mark acting as the bridge between them

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Understanding SACD Compatibility with CD Players

Explore the intricate world of Super Audio CDs (SACDs) and their compatibility with traditional CD players. Learn about hybrid vs. non-hybrid SACDs, manufacturing dates, and alternative playback options to enhance your high-fidelity audio experience.


The 'CD vs Vinyl' debate is one that often stokes the fires of audiophile communities. Yet despite the digital age making music more accessible than ever, there seems to be a resurgence in vinyl records, even as CDs maintain their technological edge. In this article, we dive into why both formats continue to capture hearts, dissecting the technical aspects and exploring the intangibles that keep us reaching for physical media.

## The Technical Superiority of CDs

-   **Dynamic Range**: Typically between 90–120 dB.
-   **Frequency Response**: 20Hz to 20,000Hz.
-   **Sampling Rate**: 44.1kHz (standard).
-   **Bits Per Sample**: 16 bits.
-   **Distortion**: Negligible at 0.0002% THD (Total Harmonic Distortion).

### Data Storage and Durability

CDs utilize digital storage, which means they can store a vast amount of audio data with high fidelity. This digital format ensures low levels of noise and distortion. They are also less prone to degradation over time compared to vinyl records, which can suffer from scratches, dust, and general wear and tear.

### Dynamic Range

CDs offer a more extensive dynamic range than vinyl. This is vital for capturing the nuances in classical or orchestral music, for instance. The dynamic limitations often attributed to CDs are generally a result of the "loudness wars," wherein mastering engineers compress the audio's dynamic range to make it sound louder, a trend that has also affected vinyl pressings.

### Cost and Accessibility

CDs are generally more affordable than their vinyl counterparts. Even high-quality CDs with superior dynamic range can be obtained for a fraction of the cost of a vinyl record, making them more accessible to the average music enthusiast.

## The Intangibles of Vinyl

-   **Dynamic Range**: Varies between 55–70 dB.
-   **Frequency Response**: 30Hz to 18,000Hz.
-   **Sampling Rate**: N/A (analog format).
-   **Bits Per Sample**: N/A (analog format).
-   **Distortion**: Generally higher, varies by player and condition.

### Artistic Appreciation

The larger format of a vinyl record allows for more significant album art, providing a more tactile and visual experience for the listener. This has led some people to consider vinyl as more of a collector's item, enjoying the process of unboxing and physically placing the needle on the record.

### Analog Charm

Vinyl records offer an "analog warmth" that is often described as more "natural" compared to the digital precision of CDs. This characteristic is particularly beloved in genres like rock and jazz, where the textural elements of music can be more expressive.

### Nostalgia and Ritual

The ritualistic aspect of playing a vinyl record, where one has to manually place the needle, provides a tactile connection to the music. The nostalgia tied to records is undeniable and adds an emotional component that is absent in the digital click-and-play nature of CDs and streaming services.

## Market Trends and Consumer Behavior

### The Cost of Nostalgia

The current market trend shows vinyl records often priced much higher than CDs. This is often justified by the tactile and emotional elements that vinyl provides but is also a subject of criticism as many consider it a strategy by the industry to capitalize on a fad.

### The Audiophile Dream

Some individuals claim that vinyl records provide better sound quality due to their analog nature. However, these claims are often made by those using low-grade turntables or lacking high-quality amplifiers and speakers that would unveil the inherent limitations of the medium.

### Universal Decline in Mastering Quality

Many experts point out that the decline in audio mastering quality has more to do with consumer behavior than the medium itself. Nowadays, music is often listened to on low-quality speakers or headphones, and thus, is mastered accordingly. This affects both digital and analog formats.

## Conclusion

While CDs offer technical superiority in terms of durability, dynamic range, and cost, vinyl records bring intangibles like larger album art, the analog warmth, and the nostalgia factor to the table. Ultimately, the preference for one over the other often comes down to individual taste, the listening environment, and emotional connection. So whether you're an ardent CD collector or a vinyl aficionado, the bottom line is to enjoy the music in the format that most speaks to you.

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Why CDs and Vinyl Still Co-Exist in the Digital Age

Why are we still arguing about CDs and vinyl? This detailed analysis breaks down what each format offers to audiophiles and casual listeners alike.

Understanding room acoustics starts with grasping the essential principles of sound itself. Whether you're a sound engineer, an audiophile, or just someone interested in learning more about sound, this article is your go-to guide. In the following chapters, we will delve into what sound waves are, what frequency means, and how amplitude impacts what you hear. 

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## The Nature of Sound Waves

### What is Sound?

#### The Mechanical Nature of Sound

Sound is essentially a kind of wave that moves through a medium, like air, water, or even solid materials. Imagine you're plucking a guitar string. When the string moves, it starts to shake or vibrate. This vibration causes the air around the string to move, and these moving air particles then cause the particles next to them to move. This domino effect creates a ripple in the air, almost like how dropping a stone in water creates ripples. This ripple in the air is what we know as a sound wave.

#### Anatomy of a Sound Wave

**Compressions and Rarefactions**

A sound wave has parts where the air particles are close together and other parts where they're spread out. When the particles are close together, that's what we call "compression," which is an area of high pressure. On the flip side, when the particles are far apart, that's called "rarefaction," an area of low pressure. So, a sound wave is essentially a series of these compressions and rarefactions moving through the air.

**Wavelength, Frequency, and Amplitude**

-   **Wavelength**: When you look at a sound wave, you'll see that it has peaks and valleys. The distance from one peak to the next (or one valley to the next) is what we call the "wavelength."
-   **Frequency**: This is how many peaks (or valleys) pass by a specific point in a given amount of time, usually one second. Frequency is what determines the pitch of the sound; the higher the frequency, the higher the pitch.
-   **Amplitude**: This describes how "tall" the peaks in the wave are, or in other words, how far the particles in the air are moving back and forth. The amplitude determines how loud the sound is; bigger amplitude means a louder sound.

#### Complex Waveforms and Timbre

Real-world sounds are usually not simple; they are complex mixtures of many waves. For example, when you hear a note played on a piano and the same note played on a guitar, they sound different. This quality of sound that allows you to distinguish between different instruments playing the same note is called "timbre." Timbre is shaped by a combination of many different sound waves that are all mixed together.

#### Phase and Interference

When two sound waves meet, they can either add up to make a louder sound or cancel each other out to make a softer sound. This is known as "interference." How this happens depends on the "phase" of the waves, which is essentially the timing of their peaks and valleys relative to each other. If two waves are in sync, they'll make a louder sound, and if they're out of sync, they can cancel each other out.

In summary, understanding the nature of sound waves, their properties, and how they interact with each other is the foundation for diving into the complex world of room acoustics. With these basics, you'll be better equipped to understand the technicalities involved in sound engineering and audio system setup.

## Frequency — The Pitch of Sound

### Understanding Frequency

When you hear the shrill sound of a whistle or the deep rumble of a drum, what you're actually detecting are differences in frequency. Think of frequency as the "speed" of the sound wave. Measured in units called Hertz (Hz), frequency determines whether a sound is high-pitched or low-pitched. When a sound wave has many cycles passing by a point in just one second, we say it has a high frequency, and it sounds higher to our ears. On the other hand, fewer cycles per second lead to a low frequency and a deeper sound.

#### The Role of Frequency in Music and Speech

In music, the concept of frequency is essential for distinguishing between different musical notes. When you play a middle C on a piano, you are essentially creating a sound wave with a specific frequency that our ears and brain interpret as that particular note. In speech, variations in frequency give rise to the different tones and pitches that make voices unique.

### Harmonics and Overtones

#### What Are They?

You might think that when you play a musical note, you're hearing just one frequency, but that's rarely the case. Most of the time, you're hearing a main frequency (known as the fundamental frequency) along with several other higher frequencies known as harmonics or overtones.

#### How Do They Affect Sound?

These harmonics are actually whole-number multiples of the fundamental frequency. So if your fundamental frequency is, say, 100 Hz, you might also have harmonics at 200 Hz, 300 Hz, 400 Hz, and so on. These harmonics give the sound its own unique "color" or "timbre," making a piano sound different from a flute even when they play the same note.

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## Amplitude — The Loudness Factor

### What is Amplitude?

If frequency is about pitch, amplitude is about volume. Amplitude tells us how "big" a sound wave is, meaning how much the air particles are moving back and forth as the wave passes through. A big, or "tall," wave will sound loud to us, while a small, or "short," wave will sound quiet.

#### The Real-World Implications of Amplitude

Amplitude has significant implications in various fields. In sound engineering, managing amplitude is crucial for balancing sound levels in recording or live performance settings. For audiophiles and those interested in Hi-Fi equipment, understanding amplitude is key to optimizing the listening experience, from setting volume levels to choosing the right equipment.

### The Decibel Scale

#### Why Do We Need It?

Our ears can pick up a remarkably wide range of sounds, from the faint rustle of leaves to the roar of a jet engine. To make sense of this enormous range, we use a special logarithmic scale called the decibel (dB) scale.

#### How Does It Work?

The decibel scale allows us to describe very quiet and very loud sounds in a way that's easier to understand and quantify. On this scale, a whisper might measure around 20 to 30 dB, while a rock concert could exceed 120 dB. The decibel scale is not linear; a sound that is 20 dB is not twice as loud as a sound that is 10 dB. Instead, each increase of 10 dB represents a tenfold increase in intensity, making the sound perceptually about twice as loud.

By understanding both frequency and amplitude, and how they are measured and described, you are well on your way to mastering the intricacies of sound and acoustics. Whether you're setting up a sound system, optimizing a recording studio, or simply deepening your understanding of sound, these concepts are foundational.

## The Relationship Between Frequency and Amplitude in Room Acoustics

### Resonance and Room Modes

Ever wondered why certain notes seem to "hang in the air" more when played in specific rooms? This phenomenon is called "resonance," where certain frequencies interact with the dimensions of the room to amplify themselves. This creates what are known as "room modes" and can significantly impact how we perceive sound in that space. For example, a small room might amplify lower frequencies, making a simple speech sound more "boomy" than it actually is.

#### Why Should You Care About Room Modes?

Room modes can either be your friend or your enemy. They can add fullness to a sound, but they can also create issues like "muddiness," where certain frequencies become overwhelming, masking other sonic details.

### Absorption and Reflection

#### How Do They Work?

When sound waves hit surfaces, they can either be absorbed or reflected back into the room. Soft materials, like carpets and drapes, absorb sound, particularly higher frequencies. Hard surfaces like glass or wood reflect sound waves. Lower frequencies, the kind that can make a room feel "boomy," are particularly hard to absorb and are often reflected.

#### Impact on Room Acoustics

The balance between absorbed and reflected sound defines the acoustic signature of a room. Rooms with too much absorption may sound "dead," lacking liveliness. Conversely, rooms with too much reflection may suffer from echo and poor clarity.

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## Practical Implications for Sound Engineers and Audiophiles

### Equalization and Acoustic Treatment

#### The Tools of the Trade

Armed with an understanding of frequency and amplitude, sound engineers and audiophiles can work wonders. Acoustic treatments like panels, diffusers, and bass traps can be strategically deployed to improve sound quality. Equalizers can also help by adjusting the amplitude of specific frequency bands to achieve a balanced sound.

#### Tailoring the Acoustic Environment

By combining various forms of acoustic treatment and electronic equalization, you can tailor an environment to suit any auditory task—from the critical listening required in a mixing studio to the broad soundstages desired in home theaters.

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## Final Thoughts

Understanding the key principles of sound waves, frequency, and amplitude is invaluable for anyone venturing into the realm of audio. Whether you're an aspiring sound engineer, a dedicated audiophile, or someone just interested in the science of sound, this foundational knowledge equips you to make informed decisions and optimizations.

As we delve deeper into these topics, we don't just become more discerning listeners; we evolve into skilled architects of sound. Our mastery over the acoustic elements allows us to shape our auditory experiences, transforming the simple act of listening into an art form.

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Fundamental Concepts: Sound Waves, Frequency, Amplitude

To fully grasp the complexity of room acoustics, one must understand the basic principles of sound. Sound travels in waves, characterized by their frequency and amplitude. Frequency refers to the pitch of the sound, while amplitude denotes its loudness.

Meze Audio Reveals Empyrean II: Elevating High-Fidelity Sound to New Heights

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Why CDs and Vinyl Still Co-Exist in the Digital Age

Fundamental Concepts: Sound Waves, Frequency, Amplitude