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Epson launches two home projectors: ultra-short-throw Lifestudio Grand Plus EH-LS970B/W on March 12, and design-focused EF-73 on April 9, Japan.
EH-LS970B/W projects 120-inch images from ~17.5 cm, up to 150 inches, using 3LCD, laser light source, 4,000-lumen brightness, and proprietary 2-axis 4K enhancement.
EH-LS970B/W supports Google TV, Wi‑Fi 6E, Bluetooth 5.2, three HDMI ports with eARC, 20 ms low-latency gaming, and 2.1ch 20 W BOSE speakers.
Epson’s approach splits cleanly into two schools of thought: brute-force living‑room cinema versus domesticated lifestyle display. The ultra‑short‑throw model leans heavily on optical discipline rather than digital trickery alone. Beyond the pixel‑shifting headline, the practical wins are mechanical—side‑mounted focus control that avoids menu diving, app‑assisted geometric correction for imperfect furniture placement, and a proximity sensor that throttles light output when someone crosses the beam. Noise and thermal management are also telling; the low acoustic floor and hefty power budget underline that this is a laser engine tuned for sustained brightness rather than bursty “spec sheet” output. In forum terms, it’s the difference between a projector that tolerates daylight viewing without collapsing contrast, and one that merely survives it.
Audio integration reveals a similar pragmatism. The BOSE‑tuned 2.1 layout isn’t chasing hi‑res fantasies, but its dedicated woofer gives dialog and effects a density that pairs sensibly with eARC to an external chain. Latency handling, too, is positioned for couch gaming rather than esports bravado—automatic ALLM behavior and consistent frame pacing matter more here than headline refresh rates. From a systems perspective, the generous I/O and optical digital out suggest Epson still expects this projector to sit within a broader AV ecosystem, not replace it.
The EF‑73, by contrast, reads like a distilled expression of Epson’s 3LCD philosophy. The RGB LED light source trades raw luminance for spectral stability and color integrity, reinforced by the TRIPLE CORE ENGINE’s emphasis on saturation without the laser “edge” some viewers find fatiguing. Its wide projection angles and low mass invite unconventional placement—bookshelves, side tables, even portrait‑style setups—while the Qi charging base and restrained power draw speak to always‑on convenience rather than cinematic dominance. Sonically, the dual passive radiators add warmth and scale beyond their wattage, aligning with nearfield listening where tonal balance matters more than sheer SPL. Seen together, the two models sketch a coherent lineup: one projector built to anchor a room, the other to disappear into it.
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