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SDE confirms Heaven 17’s Penthouse and Pavement and The Luxury Gap Blu-rays include audiophile 192kHz/24-bit flat transfers from original EQ’d production masters, without remastering, compression, or limiting.
Each Blu-ray delivers eight audio streams, including 2026 Dolby Atmos (48/24), 5.1 DTS-HD MA (96/24), stereo mixes, plus instrumental variants and original 192/24 and 96/24 stereo transfers.
The original stereo mixes represent the highest-resolution versions ever released, exclusive to these physical editions, complementing David Kosten’s new 2026 stereo and instrumental mixes.
What elevates these Heaven 17 Blu-rays beyond the usual surround reissue cycle is the decision to go back to the original EQ’d production masters rather than reconstructing the sound via modern mastering chains. In audiophile terms, a flat transfer from these tapes preserves the cumulative decisions made during the original vinyl-era production—console EQ, tape saturation, and level structure—without introducing contemporary loudness targets or digital peak management. Compared with prior CD and download editions, which inevitably involved some degree of digital reshaping, these transfers should present wider crest factors and a more relaxed transient envelope, particularly noticeable in percussive synth stabs and early-’80s drum machine transients that often suffer under later remastering.
The inclusion of both 192 kHz and 96 kHz stereo transfers is also more than a box-ticking exercise. High-resolution purists tend to debate diminishing returns above 96 kHz, but archival transfers at 192 kHz can better capture ultrasonic tape bias noise and phase behaviour from the original analog machines, even if much of that information is filtered out downstream. Offering parallel 96 kHz versions acknowledges real-world DAC compatibility while keeping the signal path uncompromised at the capture stage. This dual-resolution approach contrasts with many recent catalogue Blu-rays, where downsampling is performed once and locked in, leaving listeners no choice but to accept the producer’s preferred compromise.
From a listening perspective, the coexistence of untouched historical stereo alongside newly authored immersive and instrumental presentations creates an unusually complete reference set. The modern mixes provide spatial clarity and isolation that will appeal to Atmos-equipped systems, but the flat stereo transfers remain the benchmark for tonal balance and period authenticity—useful for assessing how far reinterpretation can go before it alters the emotional weight of the material. For collectors and system tweakers alike, these discs function less as nostalgia pieces and more as long-term evaluation tools, revealing how mastering philosophy, resolution, and mix intent intersect across four decades of playback technology.
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